{"id":5097,"date":"2022-09-12T20:22:26","date_gmt":"2022-09-12T18:22:26","guid":{"rendered":"https:\/\/dufourbenjamin.com\/design\/?p=5097"},"modified":"2022-09-13T01:43:15","modified_gmt":"2022-09-12T23:43:15","slug":"restauration-grand-pleyel-3bis-part-2","status":"publish","type":"post","link":"https:\/\/dufourbenjamin.com\/design\/restauration-grand-pleyel-3bis-part-2\/","title":{"rendered":"Restauration d’un Grand Pleyel n\u00b03 bis – partie 2"},"content":{"rendered":"[vc_row][vc_column][vc_raw_html]JTVCeW9hc3QtYnJlYWRjcnVtYiU1RA==[\/vc_raw_html][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_column_text]La suite de la restauration concerne toujours la partie m\u00e9canique du piano. Apr\u00e8s le remplacement des pi\u00e8ces d\u00e9fectueuses (vis, bouton d’\u00e9chappement, etc.), j’effectue un dressage minutieux du clavier. Il s’agit de niveler chaque touche \u00e0 la m\u00eame altitude et avec le m\u00eame enfoncement de 9mm dans le cas de ce piano.<\/p>\n

Les jeux lat\u00e9raux sont ajust\u00e9s en pivotant les pointes d’enfoncement avec un tourne-\u00e0-gauche. Chaque feutre sous les touches est remplac\u00e9 et on ajuste la hauteur avec des mouches en papier au dixi\u00e8me de millim\u00e8tre pr\u00e8s.<\/p>\n

\"Pi\u00e8ces
Remplacement des pi\u00e8ces d\u00e9fectueuses.<\/figcaption><\/figure>
\"m\u00e9canisme
Fourche, b\u00e2ton d’\u00e9chappement et m\u00e9canisme de r\u00e9p\u00e9tition<\/figcaption><\/figure>
\"clavier
Dressage du clavier, pr\u00e9paration<\/figcaption><\/figure>
\"chassis
D\u00e9montage des touches pour remplacement des feutres de balancier et d’enfoncement<\/figcaption><\/figure>
\"r\u00e9glages
R\u00e9glage hauteur des touches<\/figcaption><\/figure>
\"feutres
Remplacement des feutres et des mouches de balancier.<\/figcaption><\/figure>
\"dressage
Dressage en cours, nouveaux feutres<\/figcaption><\/figure>\n

Le r\u00e9glage \u00e0 proprement parler peut enfin commencer. Dans un premier temps, l’alignement des b\u00e2tons d’\u00e9chappement sous les noix de marteaux. Le b\u00e2ton est la pi\u00e8ce qui transmet la pouss\u00e9e du clavier au marteau ; pour une efficacit\u00e9 optimale, il doit \u00eatre r\u00e9gl\u00e9 pile sous la noix de marteau et doit \u00e9chapper juste avant que les marteaux frappes les cordes.<\/p>\n

\"r\u00e9glage
Ajustement de l’alignement b\u00e2ton d’\u00e9chappement \/ noix de marteau<\/figcaption><\/figure>
\"pont
R\u00e9glage de la m\u00e9canique sur l’\u00e9tabli<\/figcaption><\/figure>\n

Ensuite vient la chasse, la distance marteaux \/ cordes. Apr\u00e8s plusieurs essais \u00e0 52mm, 47mm, j’opte pour un r\u00e9glage moderne \u00e0 45mm. Cette mesure a de nombreuses incidences sur le mouvement des marteaux, leur vitesse \u00e0 la frappe, la l\u00e9g\u00e8ret\u00e9 du toucher, mais aussi la r\u00e9ponse globale de la m\u00e9canique en fonction de sa conception, en particulier la r\u00e9p\u00e9tition.<\/p>\n

En l’occurrence, ce piano est muni d’une m\u00e9canique \u00e0 simple \u00e9chappement mais avec un m\u00e9canisme de r\u00e9p\u00e9tition propre aux Pleyel de cette \u00e9poque (bien que le \u00ab\u00a0double \u00e9chappement\u00a0\u00bb avait d\u00e9j\u00e0 \u00e9t\u00e9 mis au point par \u00c9rard). Le b\u00e2ton \u00e9chappe apr\u00e8s avoir pouss\u00e9 le marteau, puis le marteau chute en \u00e9tant retenu par un pilote appuy\u00e9 sur une lame en os. Sa flexibilit\u00e9 et sa r\u00e9sistance laisse le temps au b\u00e2ton de se repositionner sous la noix de marteau avant que celui-ci revienne au repos. N\u00e9anmoins le r\u00e9glage de l’ensemble est particuli\u00e8rement laborieux.<\/p>\n

\"m\u00e9canique
R\u00e9glage de la chasse (distance marteaux – cordes).<\/figcaption><\/figure>
\"mesure
Contr\u00f4le de la chasse.<\/figcaption><\/figure>
\"mesure
R\u00e9glage de l’\u00e9chappement.<\/figcaption><\/figure>
\"mesure
R\u00e9glage de la chute.<\/figcaption><\/figure>\n

Toujours dans une optique de r\u00e9glage \u00ab\u00a0moderne\u00a0\u00bb, j’ai opt\u00e9 pour un \u00e9chappement du b\u00e2ton \u00e0 1,5mm et une chute \u00e0 3mm. Apr\u00e8s le r\u00e9glage sur l’\u00e9tabli viendra l’\u00e9tape du test de la m\u00e9canique dans le piano et des ajustements.<\/p>\n

J’ai choisi ces cotes apr\u00e8s de nombreux essais pour optimiser la vitesse de r\u00e9p\u00e9tition des notes et cela au d\u00e9triment de la l\u00e9g\u00e8ret\u00e9 du toucher. J’envisage d’ajouter des lests aux touches pour palier ce probl\u00e8me. \u00c0 ce stade, il me semble pr\u00e9f\u00e9rable que la m\u00e9canique r\u00e9ponde avec efficacit\u00e9 en toutes circonstances, en jeu piano ou en jeu forte, dans les nuances ou dans la vitesse. N\u00e9anmoins, en tant que novice et autodidacte, j’avoue ne pas avoir d’avis pr\u00e9cis sur le r\u00e9glage d’origine de ce piano. Aussi, toute expertise vis-\u00e0-vis de cet instrument est la bienvenue ! <\/p>\n

Et encore une fois, \u00e0 suivre…[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

La suite de la restauration concerne toujours la partie m\u00e9canique du piano. Apr\u00e8s le remplacement des pi\u00e8ces d\u00e9fectueuses (vis, bouton d\u2019\u00e9chappement, etc.), j\u2019effectue un dressage minutieux du clavier. Il s\u2019agit de niveler chaque touche \u00e0 la m\u00eame altitude et avec le m\u00eame enfoncement de 9mm dans le cas de ce piano.<\/p>\n","protected":false},"author":1,"featured_media":5123,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-5097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-restauration"],"yoast_head":"\nRestauration d'un Grand Pleyel n\u00b03 bis - partie 2 - Dufour Benjamin Design<\/title>\n<meta name=\"description\" content=\"La suite de la restauration concerne toujours la partie m\u00e9canique du piano. 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